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2011年8月19日星期五

"Jane Eyre": teenage mood diary

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As a "Jane Eyre," the original party, what can not meet the bend into a fit. Such as the 44 year version of the audience with his eyes open believe that non-party registration Joan "looks flat", and finally we all believed. Guess sometimes an image of this book so hard to force the process, about who is the original set of very difficult questions to the producer: the man, "middle-aged, not handsome," the woman "short, not beautiful." According to the standard you really want to find someone, I am afraid to see the film is unwanted. Therefore, always version of "Jane Eyre" have altered the idea of ​​using the method, the man to rely on the vicissitudes of gloomy, intellectual woman to light up. As for the specific option, see the director on how to understand these two standards.

11 version of the casting should be in the age of one the most original version - Fassbinder, 34, 21-year-old Mia, the basic is the original in Rochester and Jane's age difference. It also shows the edition in the "creative" aspects of ambition: the original has been highlighted by the Puritan abstinence education, girls entering the hazy sense of community, take the "growth of education" routine. The film twice to show the corridor of the human body painting, almost straight points on this topic. This is indeed a breakthrough. Past versions have a kind older woman to Jane Wen Qing tendency (96 version is particularly evident Gan Sibu, 71 version even more, perhaps the old maid of), to give up on her worldly, injury the expression of melancholy that part of the spring, directly into the battle of the sexes character mode. However, this set is equal to the character adds a psychological level, the difficulty in the operation than the mere performance of the entanglement of love between men and women is high. This is destined to be found both in this edition of "do not take an unusual way", and not slant to the deranged expression patterns.

I have not seen the director's other works Fuyong. The lens from the film a sense of perspective, his approach is very stable, and willing to control who goes to classical visual temptation. This version of "Jane Eyre" is indeed a very stylized version. Original dramatic episode was in the cold for a significant deal, in addition to simplifying dialogue, select the most expressive part of, but also emphasizes a dark, cold, calm tone of depression. Together with aesthetic refinement and subtle language of the string picture, own kind of Resentment in the texture. Perhaps this texture is called the "Gothic + little fresh," but denied that it brings the popular perception is still used.

It is also so cold, making the film into a mood diary of Jane Eyre's girl. Mia's performance slightly tender, but tender is a good demonstration of Jane Eyre entering the world, but a loss of feeling hopeful state. She's cold, not because of a serious nature, eccentric, but not known to the outside world because of unfinished, can only form of self-protection shell. This is a Mature actor's temperament can not insist. Especially the titles of running away from home, and roam in the house opposite with Rivers, I think that all pass line can reach. Premise is, you must first psychologically Jane Eyre is a "less than 20" of the fact that girls do not use the impression that dignified, mature "female teacher" mold to set in her body. She just almost isolated from a boarding school out, neither is the kind worthy of the teacher, not married a strong woman in Kochi. She sometimes does not know what to do, as an orphan, no one can tell her what to do. Her first feature is a natural and casual, independent and self-love is only with the nature of this expression results. "Small fresh" feeling, is the resulting.

And Fassbinder's Rochester, Jane Eyre controversy should be Bi Miya more. The problem is not with open eyes, the audience is non-believes he was "not handsome." But his personal qualities, making this body of Rochester's "evil" is very important. Two Arabian Nights show at the beginning of the most obvious. I thus feel this person to play Heathcliff may be more appropriate. Although the Bronte sisters to write about these two men are heroes Gothic dark quality, but as Charlotte, Emily's character is not so decisive, Rochester has always 比希斯克利夫 slightly soft. Also Xu Fuyong need is this "evil" to match the film's gothic atmosphere. However, the final result a bit too far. Original gas in the description of some very gentleman, was a hint of provocative interpretation of the taste. The actual film "An Education" setting, resulting in Rochester scenes become very subtle. And this time not like Fassbinder in modern opera, "fish tank" in it, get off by one, but the conditions must be wrapped tightly under successive layer by layer to show the adult male charm convincing. This takes time and needs texture. Two-hour long film is indeed a bit tight (so personal that the book is more suitable for film series). Fortunately, the most important "farewell" show that he was a pretty standard. Of course, this style of Rochester, only to see how the audience's acceptance.

Not so much the lack of both sides of this edition "chemical reaction", as it saw the "chemistry" with the past, viewers are accustomed to are not the same, a little "strange." But the original is a bizarre love love. It is sexual temptation and sexual initiation side, but with a transcendent spiritual. It is based on secular extraordinary detached soul, and yet not go beyond the law in the first stop. Fuyong see the director more than any other to grasp the story of the "pulp", although this was incomprehensible to the audience braved the danger.

Read my wordy here, "Jane Eyre" in five versions (version 73 and version 97 chance to see such). 44 version is pure Hollywood version, take the star and abandoned the original set, shooting style is typical of a large factory romantic drama. But the overall atmosphere of Gothic and dark sense of moderation was very good. Can not fail to mention is Orson Welles's Rochester. This person is neither the British nor the nobility, goes on when he was 29-year-old baby face and the "vicissitudes" Liang Zi is the most dissonant, but literally with "lawless" faction acting to put up the gas market, is this version of the greatest hero. 71 version is actually very easy way out of a version. Scott George C · the "cynical" interpretation of the word head, just for the Chinese audience, this achievement and Qiuyue Feng's voice too much intertwined, not tell from whom there came up. Susannah York, if not Lizi's voice, I am afraid we must completely "female teachers" of the. 83 edition of the BBC is "the most faithful to the original," a version once part of the original party, as I Cuozai in overstating the comfort. Although the death of the mind of the consequences, at the expense of a certain degree of ornamental and create numerous Tucao. Jane Clark is indeed the "ugly" word on the move to make it real, unfortunately, her performance gap with Dalton's almost their height so much. Timothy Dalton from England to perform the skill is impeccable temperament, stage of expression nearly too far (by the way, and 71 fulfilled the original version has been dubbed the contrary, when "honest variety," the voice of This version is best not to abandon). 96 version is "Sunshine Edition", almost Gothic atmosphere, replaced by the comprehensive rural-based. Actor, the affable William Hurt's the end I reluctantly may be able to, but Charlotte's Joan Gan Sibu sense of style is a little cold too far (stay away, even the "goodbye" are an entire field province, this upright). 06 mini-opera version of word of mouth is not low, but in my personal impression is the most wrong way in a version. In addition to the plot, lines, show the serious popularization, exposed Siweiersen of Jane Eyre in the study period, "you thought I was a machine you no feelings," the confession actually cried when the face deformation. And Toby Stephens, a former actor of four first-line Rochester earlier, I can only think that he was sleepwalking.

Strange to say, the version of "Jane Eyre" in the actor seems to have prone to matching men stronger than women, seems a bit cart before the horse. This has to a certain extent, to develop the audience perspective, "love stories" of the illusion. In fact, Rochester is just part of life, Jane Eyre, although there is a decisive part. The balance of this section and other parts of the scenes, but also a challenge. Fuyong also done in this fine but not simple. So for me, 11 is the basic version of the successful version of "Jane Eyre", but when you need to watch the first lend a while into the show, while slowly bend out of those "inappropriate."

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